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Dance Luminary Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

In the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is naturally straight-backed, his arms defined beneath a plain white T-shirt. On stage, dancers can seem as powerful gods, yet frequently offstage they are small. This is not true for Ball, whose height is part of his demand for heroic characters and pas de deux work. With delicate traits and intense eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Growing up in Liverpool, he encountered minimal ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he moved directly into the company and was promoted annually, reaching the top rank of principal in 2018. He has loved taking on meaty characters, especially the psychological turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming starring role is as himself, in an "Evening With" series aiming to offer intimate insights into a performer's craft. He will walk the crowd through a part, showing his mental process while execution. Yet in lighter works, the challenge is profound. "Don Quixote is one of the most demanding technically," he notes.

The Psychological Game and After the Show Feelings

How does he feel following a performance, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to squeeze all the emotion out of it, and get lost in the character, quite often I do feel embarrassed afterwards. Following Mayerling I'm always like: Wow, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and quick to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Formative Motivations and Creative Influences

Ball's tenacity stemmed from youthful experiences. Not excelling in competitions at school made him "vengeful!" It was motivation to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next challenge is making his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from books, compositions, and art.

Close-Up Dance and Personal Partnership

He also is interested in presenting dance in more intimate venues. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t usually paired on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."

On Social Media and Physical Perception

On social media, followers can see clips from his dance films and photos that highlight a sculpted physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his early self as "eager for success." Did it met his expectations? "I am conscious of how life is a separate thing to the aspirations you had as a child," he reflects. He likely has about ten years of performing ahead. "I guess in the future, I want to be a bit more gentle with myself."

ES
The writer

Eric Salazar

A financial security expert with over 15 years in precious metals storage and asset protection.

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